Small Cast

 

You don’t always have a large cast of actors to cast. In this situation many plays, especially musicals and the classics become a real problem because of the number of characters. You can sometimes get around this by careful cutting of the script and by doubling-up actors. But if you only have a handful of actors and want to keep things simple then you need a play that needs only a small number of actors.
The plays on this page can all be produced with a small cast – see the play page for more details on each script.
 
 

Alex and the Warrior by Ann Coburn

Alex and the Warrior by Ann Coburn


Alex wants Grandad home from hospital for Christmas, so he makes a foolish wish. In spite of Cat’s warnings, he asks his favourite computer game character to come and help. But when The Warrior steps out of the screen, with a large sword and a lot of attitude, Alex begins to wonder what he’s let himself in for.


The Warrior’s deadly enemies, the Skarg, soon follow, trying to fit in as human beings in a world they don’t really understand. Alex and Cat struggle to keep The Warrior under control as they head through the winter streets to rescue Grandad, defeat the Skarg, conquer Karaoke and explain carol singing, all on one hectic and exciting adventure. Alex and the Warrior is a quest full of magic and danger, music and laughter: Dickens meets The Terminator in this modern fairytale for all the family.


Cast of 5 required


Alexander - Who’s Not Not Not Not Not Not Going to Move

Alexander – Who’s Not Not Not Not Not Not Going to Move


by Judith Viorst & Shelly Markham from Judith Viorst


Alexander has just received some really bad news from his parents … His dad has taken a job in a city a thousand miles away, which means that he and his mom and his dad and his bossy older brothers, Nick and Anthony, are going to have to move to a whole new city.


And even though his mom says, “Wait, you’ll like it,” Alexander already knows that he’ll hate it. He’ll hate it because he’ll never have a best friend like Paul again. And he’ll never have a great sitter like Rachel again. And he’ll never again have his soccer team or his car pool or kids who know him or…


Anyway, he can’t bear to leave the people and places he loves, so he decides that he won’t move. First he tries to live with three different neighbors. Then he tries to build a tent so he can live by himself. Then he decides he’ll hide so that his parents’ll never find him, but that doesn’t work out either.


While Alexander barricades his bedroom door, his mom and dad and even his brothers find some special ways to make it easier for Alexander to leave. They also help him to understand that home is “where your family is, where you’re with the people who love you best of all”.


Finally Alexander agrees to leave, but warns that — Do you hear him? He means it! He’s not not not not not not going to move again!


Commissioned and premiered by The John F. Kennedy Center for the Performing Arts. Unit set – runs about an hour


Alice's Adventures in Wonderland

Alice’s Adventures in Wonderland by Simon Reade from Lewis Caroll


When Alice falls down a mysterious rabbit hole she stumbles upon a magical fantasy world where anything can happen …


Take tea with the Mad Hatter, meet the White Rabbit, grin with the Cheshire Cat, and play croquet with the Queen of Hearts


But whatever you do …


… don’t lose your head!


Lewis Carroll’s classic characters spring to life in an enchanting show for the whole family, bursting with music, madness and mystery


Simon Reade’s adaptation of Lewis Carroll’s much-loved fantasy classic is a witty and brilliantly inventive re-working


6 Male, 2 Female


Among Friends and Clutter by Lindsay Price

Among Friends and Clutter by Lindsay Price presents a montage of characters who experience the most important relationships in life: friends, family, and love.


Starting with seven classmates, the play explores what they imagine their lives will be, and shows what their lives eventually become. They grow, succeed, and sometimes fail.


Students love this play for its well-rounded characters and its wealth of comic and serious moments.


Childsplay - A Collection of Scenes and Monologues for Children

Childsplay – a Collection of Scenes and Monologues for Children


For children from 7 – 13, here is a treasure chest of excerpts from a rich and exciting variety of sources.


Scenes and monologues come from such plays and films asThe Diary of Anne Frank, Brighton Beach Memoirs, Curse of the Starving Class, The Secret Garden and Maya Angelou’s I Know Why the Caged Bird Sings.


And, most appropriately, from writings by children themselves.


Christmas Shorts - Going Home & The Christmas Witch & Xmas Cards & Nativity & The Student

Christmas Shorts – Going Home & The Christmas Witch & Xmas Cards & Nativity & The Student by Matt Hoverman


This Collection of hilarious festive comedy offers a wonderful alternative to the traditional seasonal play. The five short (10-15 minutes) comedy plays humorously comment on holiday themes – family, the nativity, Xmas cards, and elves!


The 5 Plays are …


Going Home – M1,F1


Newlyweds Greg and Cheryl have resolved to spend Christmas together alone in their tiny apartment for the first time


The Christmas Witch – M2,F1


Two dudes find their relationship challenged when an ex-girlfriend with a penchant for breaking hearts and feasting on human flesh shows up on Christmas Eve


Xmas Cards – M1,F1


Every year, prosperous, conservative couple Ned and Nelly fill out their Christmas cards together. Or rather, Ned tries to fill them out and Nelly slowly drives him insane. Why should this year be any different?


Nativity – M2,F2


Two strangers – one dressed as Mary, the other as Joseph for separate upcoming holiday pageants – meet in the waiting room of the Bethlehem, PA Fertility Clinic one Christmas Morning …


The Student – M2


Winner of the 2009 Samuel French Off-Off Broadway Short Play Festival


A two-character holiday comedy about a burnt-out, adult education writing teacher who rediscovers his passion in one of the strangest student-teacher conferences of all time


“Four Stars! Touching and inspiring … a favorite!” ~ Indianapolis Performing Arts Examiner


Competition Monologues by Lindsay Price

Competition Monologues by Lindsay Price


Whether it’s for a competition, an audition or for class, these monologues will help get the job done.


Specifically geared for students, this collection contains a wide variety of characters, genres and lengths.


All the monologues come from plays published by Theatrefolk and include approximate timing, character/story background, and performance suggestions.


It offers a total of 40 Monologues – 19 Men, 21 Women


There is also a second volume available, Competition Monologues Book Two.


Jack and the Beanstalk

Jack and the Beanstalk — Libretto by Marcy Telles, Music by Jason Sherbundy


Children’s Musical/ 4 Characters, 2 Men, 2 Women/ One Act


Synopsis: A musical version of the classic tale about a boy who must travel to the fair to sell his beloved cow. After a run-in with some buyers who think his cow is too scrawny, Jack meets an Old Woman who buys the cow for three beans. The beans, she promises, will allow him to ascend to the sky, where he’ll find a giant’s castle full of riches stolen from his late father.


When Jack angrily throws the beans aside, they grow into a giant beanstalk, which he climbs. At the top, he meets the Giant’s Sister, who hides him just in time: The Giant comes home and demands that his treasure — a goose, a purse filled with gold, and a singing Harp — be brought to him. Listening to the Harp, he falls asleep, and Jack and the Giant’s Sister escape down the beanstalk.


Home again, Jack is overjoyed to discover that his cow has been returned to him and, even better, they all learn a wonderful secret about the Giant’s Sister!


Paddington on Stage

Paddington on Stage – plays for children – adapted by Michael Bond and Alfred Bradley


 


This is something of a rarity and, as far as we are aware, now only available second-hand.


Based around Michael Bond’s popular Paddington Bear books, this book of seven short play scripts is intended for young children to perform.


The scripts were based on the play The Adventures of Paddington Bear published by Samuel French.


The plays included are:



  • The arrival of Paddington

  • Paddington paints a picture

  • Paddington has a holiday

  • Paddington visits the dentist

  • Paddington goes to the launderette

  • Paddington goes to hospital

  • Paddington turns detective.


The book also contains costume notes and the lyrics (but not music) of two songs: I try so hard, and Paddington Bear.


Play Time by Julia Donaldson

Play Time by Julia Donaldson


From the best-selling and much-loved author of THE GRUFFALO and other classic picture books, eleven fun-to-act short plays for primary-aged children (Key Stage 1 and Key Stage 2) complete with helpful, simple guidance on target age, running time and cast! Ranging from adaptations of traditional tales (eg, the legend of Persephone and Three Billy Goats Gruff) to original and contemporary short plays, Julia Donaldson has produced an entertaining, simple, satisfying play collection.


About the Author

Julia Donaldson MBE is the Children’s Laureate and author of many bestselling books for children, including the acknowledged modern classic THE GRUFFALO, which has won the Smarties Prize and the Blue Peter Award for the Best Book to Read Aloud. Julia has also written many children’s plays and songs, and runs regular storytelling and drama workshops. She lives in Glasgow with her family.


Playscripts for Primary Schools: A Resource Pack of Scripts for Adaptation

Playscripts for Primary Schools moves beyond the traditional end-of-year or Christmas production to show that working together with variously sized groups of pupils can be a valuable curricular activity. The author’s playscripts can be used for many purposes e.g. to reinforce or introduce history topics, for group writing exercises, to build co-operation and problem-solving skills and a way of opening up discussions on any range of topics. The playscripts can also be customised to suit individual schools and location, and to include opportunity for improvisation.


Robin Hood and the Raven’s Revenge by John Chambers

Robin Hood and the Raven’s Revenge by John Chambers


Comedy/ 9 characters, 5 Men, 4 Women (double/extra casting if desired)/ Full Length, Two Acts


Synopsis: Written for a family audience, with plenty of humour and some added twists to the traditional story. It intertwines the favourite elements of the Robin Hood legend with less known myths, such as the witch Mother Maudlin and an evil Raven and equates Robin with the English folk-lore figure, The Green Man.


John has written three epics for Lancaster Dukes Promenade Seasons – Tales of King Arthur, Jungle Book and The Three Musketeers, and several pieces for/with young people at Manchester Youth Theatre and M6 where he was also Resident Writer.


 


The BFG: a set of plays

The BFG: a set of plays by David Wood, adapted from Roald Dahl


Roald Dahl fans will rejoice at the opportunity to bring their favorite books and characters to life. Five of Dahl’s hugely popular, beloved books have been adapted into winning plays for children.


With useful tips on staging, props, and costumes, these plays can be produced with a minimum amount of resources and experience.


Teachers, parents, and children everywhere will recognize Quentin Blake’s appealing classic cover art and will find these easy-to-perform plays to be a great source of entertainment!


More Roald Dahl scripts


The City Mouse and the Country Mouse

The City Mouse and the Country Mouse from K I D S I N C O based on the classic tale by Aesop

The classic tale of two cousins, who live very different lives. They both explore life in the country and the city and each learns that things are not always as they first seem.

Cast of 3 required


The Railway Children

The Railway Children by Mike Kenny, adapted from the book by E. Nesbit


You don’t need a real train to stage this version of the much loved classic – though that’s what they had at Waterloo Station for a smash-hit production. The most powerful prop is the imagination of the audience, the most effective tool, the skill of the actors. This version of The Railway Children is eminently suitable for schools, youth theatres and drama groups – anywhere, in fact, where the cry of ‘Daddy! My Daddy!’ is likely to provoke a tear.


Previous